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Ainslie Sans font

Ainslie Sans

Ainslie Sans is created by Jeremy Dooley and published by insigne. Incorporating the main features of the original Ainslie family typeface, it removes the semi-serifs and encourages the inclusion of particular geometric elements. The outcome is a stylish font that can be used for a variety of projects. The numerous typographic features provide a wide range of alternates, swashes, old style figures and compact caps.


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Felt Noisy font

Felt Noisy

Felt Noisy is created by Ricardo MarcinErica Jung and published by PintassilgoPrints. Displaying an apparently careless look, Felt Noisy creates a spontaneous image, makes characters meaningful and adds flavour to your design applications. It includes two stylish fonts that can be used for a wide array of projects.


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Good News Sans font

Good News Sans

Good News Sans is created by Kyle Benson and published by Kyle Wayne Benson. It has been especially designed to help writers expose their ideas in a clear manner and invest words with an aura of credibility. Good news Sans gives the message simplicity which facilitates the process of reaching the target audience. It provides all the elements you need to impress your readers, including wide language support, Open Type functions, many stylistic alternates and ordinal catchwords.


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Kiro font

Kiro

Kiro is a minimal sans-serif typeface created by Ryoichi Tsunekawa and published by Flat-it. It includes 12 styles which give adaptability to title and body text. The fundamental structure was designed with units or modules, as for accurate measurement and execution. Excessive vertical strokes of letters have been removed and corners have craftily been rounded. All these minimalized features have given a simple modern look and circular forms have created a friendly and warm image. The wide range of glyphs cover almost all European languages: Western, Central, South Eastern Europeans and afrikaans. 


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Pero font

Pero

Pero is a sans serif typeface created by Ryoichi Tsunekawa and published by Flat-it that contains 7 weights from ExtraLight to ExtraBold without italics. This font has minimal modular design and rounded corners that make’s perfectly for display, headline, body text. It supports a lot of European languages to ease your work.
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Certa Sans font

Certa Sans

Certa Sans is a sans-serif typeface created by Elena Kowalski and published by Glen Jan that contains 16 font, 8 weights from Thin to Black, 5 Stylistic sets and other Opentype Features. Also it has language support. This humanist text family is ideal for display, text, logo etc.
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Emblema font

Emblema

Emblema is a geometric typeface created by Duván Cárdenas and published by Corradine Fonts that comes in 12 different weights and 3 different sizes sets of caps. With a geomatric shapes this font has a clean and modern look and it very useful for your projects. It can be use for poster, vintage things, menus etc.
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Loew font

Loew

Loew is a sans-serif typeface created by Jonathan Hill and published by The Northern Block Ltd. that comes in 16 fonts and over 800 characters. A blend of optical refinements & geometric construction result in a near perfect circle. This family font is characterized by form, function and usability. Enjoy!
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Bodoni Sans font

Bodoni Sans

Bodoni Sans is a refined typeface created and published by Jason Vandenberg. Described as a modern typeface, Bodoni Sans is characterized by strong contrast between thick and thin lines, regular shape, elegant appearance and simplicity. Combining in a tastefully elegant manner simple lines with classical dimensions, Bodoni Sans provides an innovative, modern product founded on classical basis.


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Abula font

Abula

Abula is a stylish font published by Typesketchbook. Originally based on Modern font, Abula exhibits two versions: Original Slab Serif and Organic Slab Serif. The latter distinguishes by some adjustment of the genetic code. The creator of the font has preferred a classical direction, which explains the reason why the geometric structure of forms has been made rounded. Another special characteristic of this font is that even if Original Slab Serif and Organic Slab Serif have both the same origin, they manage to offer a distinct emotional reaction.
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