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Innervers Gothic font

Innervers Gothic

Innervers Gothic is a typefamily of 6 font created and published by Svetlana Usljebrka. This geometric sans-serif font has 6 weights ranging from 10 (UltraLight) to 60 (Bold). It covers a lot of Opentype features and is perfect for tall x-height but also for small characters. It cand be use for display, logo, headline, magazine etc.
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Felt Noisy font

Felt Noisy

Felt Noisy is created by Ricardo MarcinErica Jung and published by PintassilgoPrints. Displaying an apparently careless look, Felt Noisy creates a spontaneous image, makes characters meaningful and adds flavour to your design applications. It includes two stylish fonts that can be used for a wide array of projects.


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AmpleSoft font

AmpleSoft

AmpleSoft is a sans serif typeface created by Aakash Soneri and published by Soneri Type which is chacarterized by optical mono linear, smooth cursive and distinguishable leterforms. This display font comes in 6 weights from Thin to Bold and it was designed to be suitable for headline, title, magazine, logo, web etc. A newly designed display font of Ample type family. Enjoy!
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Modernica font

Modernica

Modernica is a sans serif typeface created by Javier Quintana and published by Latinotype that contains 16 fonts, 8 weights with accompaniyng italics and Small Caps. Also has a lot of Opentype Features perfect for your projects. Based on the Mazurquica structure, this font is ideal for editorial projects.
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Sanelma font

Sanelma

Sanelma is a brush font created and published by Mika Melvas. Inspired by the old, traditional American car style, Sanelma‘s organic forms are adapted for many uses like logos, packages, headlines etc. With 1,200 glyphs under the belt, Sanelma contains various styles and end swashes, plenty of alternate characters, swash caps and small caps. By means of its fluid and graceful forms, it manages to convey a lively image to all types of projects it is used for.
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Abelina font

Abelina

Abelina is an unique gestural handwriting typeface created by Yani Arabena and Guille Vizzari and published by Sudtipos. Featuring great calligraphic brush qualities like fluidity, spontaneity and personality, Abelina comes with over one thousand (!!!) glyphs, alternates, ligatures, alternates, italics etc. in two versions: Abelina Pro and Abelina Redux. A brushing perfectionism result!
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XXII YeahScript font

XXII YeahScript

XXII YeahScript is a brush font created by Lecter Johnson and published by Doubletwo Studios. It offers plenty of alternates for various types of design, making it suitable for logos, headlines and text phrases. The great diversity of typographic features, which includes a stroke panel and numerous swashes, provides the appropriate means to create a great project design.


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Core Rhino font

Core Rhino

Core Rhino is the newest sans serif typeface published by S-Core and created by Hyun-Seung-Lee together with Dae Hoon Hahm and Min-Joo Ham. This display font has rounded and curved letterforms and contains 7 weights, from Thin to Black with accompanying italics. Also appearing with complete Latin, Cyrillic, Central European and Turkish characters sets. I’m sure that the rest of Open Type Features will help you in your future projects like: headline, magazine, poster, logo, packaging etc.
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Ringo font

Ringo

Ringo si a sans serif typeface created by Lukasz Dziedzic and published by typoland that comes in four styles (Light, Regular, Bold, Black) and some real sweet stuff, Open Type Features like tabular & proportional fractions, stylistic alternates, extensive character set. This urban font has geometric elements and is ideal for editorial projects, headline, logo, magazine, packaging, poster etc.
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Journal Sans New font

Journal Sans New

Journal Sans New is a geometric sans-serif font created by Alexandra Korolkova and Maria Selezeneva and published by ParaType. Based on the old soviet Journal Sans typeface designed in Moscow of 1940 by Anatoly Schukin, Journal Sans New keept all original characteristics of the 50s version and through it’s features like new glyphs, weights and styles make it fully adapted to the modern digital reality ready to be used both in print and on screen.
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