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download a selection of 29 hand-picked creative fonts for designers
Snackbar font

Snackbar

If you plan for a long time a culinary adventure, Snackbar is perfect! Created by David (Squid) Cohen together with Stuart Sandler and published by Sideshow, this handlettered font comes in 18 weights & widths, 20 Typeable Linoleum Patterns, over 60 Design Elements, over 40 Snackbar Leftovers and international support. All this works great for your culinary projects.
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Look font

Look

Look is a hyper-family script typeface created by Jeremy Dooley and published by Insigne. Inspired by local Tennessee historic signage, Look features 3 different fonts, each in 3 different weights, including subfamily sans, serif, script, shadows, alternates and ornament fonts! Now Look, you can’t go wrong with it!
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Frost font

Frost

Frost is a a smooth and lively cursive typeface created by Emil Karl Bertell & published by Fenotype. Inspired by the hand lettering and sign painting of the 1950s, Frost has a polished design that features contemporary trends, many automatic ligatures, flowing alternates and intricate swashes. Chill out with Frost!
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Galano Classic font

Galano Classic

Galano Classic is a display typeface created and published by Rene Bieder that has moderate x-height and some other details like the long stretched leg of uppercase “R” and shaped lowercase “”g”. This geometric font comes with a lot of glyphs, the different weights with their italics and over 500 glyphs per font. It goes well on small sizes, long text passages, headline, editorial projects.
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Galano Grotesque font

Galano Grotesque

Galano Grotesque is a geometric sans serif typeface created and published by Rene Bieder that comes out in 40 fonts, 10 different weights with accompanying italics, a set of useful OpenType features and language support. Characterized by simplicity and consistency, it goes well on editorial projects, headline, poster, small, short and long copies etc.
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Larry font

Larry

Larry is a smooth script created by Emil Karl Bertell and published by Fenotype that offers you a vintage feeling. Use Open Type savvy program or Glyph Palette for a lot of alternate characters and you can find many ways to write, many useful combinations. It is an elegant choice for logo, poster, packaging etc. Have fun!
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Silver font

Silver

Silver is a typeface created by Emil Karl Bertell and published by Fenotype that is packed with many features, a characters palette of more than 1000 glyphs, alternates, ligatures and ornaments. Suitable for any kind of project, headline, logo, poster, packaging, Silver is a good choice for every designer.
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Signyard font

Signyard

Signyard is a sans serif typefcae created by Jay Hilgert and published by Albatross that was designed (based on Microbrew Family) to be suitable for vintage projects, wedding, newspaper, signage and many more. This display font comes in 6 styles, 4 layers, symbols and some other OpenType Features. Also it has multiple language support. I’m sure you need it!
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Gibbs font

Gibbs

Gibbs is a maritime inspired and sophisticated sans serif typeface created by Gregory Shutters and published by Typetanic Fonts. With an incredible display identity Gibbs was named after prolific maritime architect William Francis Gibbs. It was designed by inspiration found in various cues of the unique cast aluminum signs found on board of mid-century luxury liner SS United States! This resulted in a combination of industrial American vernacular lettering and English humanist styles with an extensive list of OpenType features that makes Gibbs a designers dream. Use it to get your designs literally transatlantic!
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Voltage font

Voltage

Voltage is a lively script font created by Laura Worthington and published by Laura Worthington. The outcome of vast work experience, Voltage harmoniously combines formal regular lines with loose strokes, managing to keep those particular elements that distinguishes handwriting style. In other words, it makes legible messages in a personal style.  It serves both an useful purpose and an aesthetic one even if the design puts an emphasis on readability rather than the decorative appearance.
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